Criticism, Volume 58, Number 3, Summer 2016
Criticism, Volume 58, Number 3
Criticism provides a forum for current scholarship on literature, media, music and visual culture. A place for rigorous theoretical and critical debate as well as formal and methodological self-reflexivity and experimentation, Criticism aims to present contemporary thought at its most vital.
Criticism Volume 58, Number 3, Summer 2016
Kissing A Photogaph: Reproductive Panic in Kate Chopin and Thomas Hardy
Arielle Zibrak
Thoreau's Journal or the Workshop of Being
François Specq
The Colonial Baroque in Australia: On Drover Boab Texts, Wiradjuri Clubs, and Charlie Flanningan's Drawings
Michael J. Farrell
Writing Women, Writing Wax: Metaphors of Impression—Possibilities of Agency in Shakespeare's Rape of Lucrece and Twelfth Night
Lynn M. Maxwell
By What Strange Channels: Nicholas Mosley's Literary Circuits
Abram Foley
Why is Beloved So Universally Beloved? Uncovering Our Hidden Aesthetic Criteria
Timothy R. Aubry
Reviews
Jessica Hanselman Gray on Monstrous Motherhood: Eighteenth-Century Culture and the Ideology of Domesticity by Marilyn Francus
Sharif Youssef on Are You My Mother? A Comic Drama by Alison Bechdel
Jonathan Lamb on Islanders: The Pacific in the Age of Empire by Nicholas Thomas
John Emil Vincent on Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol by Nicholas de Villiers