Antipodes Volume 29, Number 2 (December 2015)
The official publication of the American Association of Australasian Literary Studies, Antipodes is published in June and December of each year. The journal welcomes critical essays on any aspect of Australian and New Zealand literature and culture, and comparative studies are especially encouraged. Additionally, Antipodes publishes short fiction, excerpts from novels, drama, and poetry written by Australian and New Zealand authors.
The official publication of the American Association of Australasian Literary Studies, Antipodes is published in June and December of each year. The journal welcomes critical essays on any aspect of Australian and New Zealand literature and culture, and comparative studies are especially encouraged. Additionally, Antipodes publishes short fiction, excerpts from novels, drama, and poetry written by Australian and New Zealand authors.
Table of Contents
From the Editor
“Substances by Which We Sense Ourselves”
Nicholas Birns
Poetry
Chris Andrews — The Lilac Room
Judith Beveridge — Walking in the Reserve
Brendan Ryan — Dairy Farmers at the Beach
Eileen Chong — Last Night
Diane Fahey — Visitor
Angela Gardner — The Car Stalled at Lawnton
Geoff Goodfellow — Mitch
Suzanne Edgar — The Red Chalk Drawing
Anna Ryan-Punch — Driving to Queenscliff
Mitchell Welch — The Push North
Anthony Lawrence — The Long Table
Virginia Jealous — Remembrance Day
Fiction/Creative Nonfiction
Mark O’Flynn — White to the End of the World
Greg Bogaerts — Breakdown
Caroline Flood — Follow the Shadows
Liz Argall — Soon She Will Be Forty
Stephen Oliver — Gnosis, a Spark
Janet Kaye Garrick — My Sister Sam and Other Freaks
Essays
Oliver Haag and Danica Čerče — Witi Ihimaera’s The Whale Rider in Slovene, Dutch, and German Translation
Beibei Chen — Contesting Identity and Forming “Cosmopolitan Memory” in Brian Castro’s Shanghai Dancing
Paul Genoni and Tanya Dalziell — “New Zealand’s First Man of Letters?”: Rediscovering Redmond Frankton “Bim” Wallis
Stefan Solomon — Words and Silk: Gerald Murnane at the Cinema
Robert Clarke and Sharon Thomas — Productive Dissonance: Using Digital Narratives in the Australian Literature Classroom
John Beston — Going into Dreamland: From Lewis Carroll’s Alice in Wonderland to Patrick White’s The Aunt’s Story
Niki Tulk — Navigating the Inside-Outside: Explorations of Exile and Silence in Alex Miller’s Landscape of Farewell
David Carter — What America also Read: Australian Historical Fiction in the American Marketplace, 1927–48
Jack Bowers — “One of Us”: Orphaned Selves and Legitimacy in Australian Autobiography
Alison Burns and R. A. Goodrich — Christina Stead, Georges Polti, and Analytical Novel Writing
Huang Zhong and Wenche Ommundsen — No-Man’s Land: Migration, Masculinity, and Ouyang Yu’s The Eastern Slope Chronicle
Marita Bullock — “Trafficking in Words”: On the Politics of Writing, Cross-Border Mobility, and Nam Le’s The Boat
Departments
About the Cover
Review Essay — Behind the Scenes of Translation, Christina Spittel
Review Essay — Ahead by Centuries: Stephen Edgar’s Exhibits of the Sun, U. S. Dhuga
Contributors
Guidelines for Contributors
Book Reviews
Fiction
Lloyd Jones, A History of Silence — Derek Hinckley
Richard Flanagan, The Narrow Road to the Deep North — Nataša Kampmark
Michael Hyde, Footy Dreaming — Caitlin Woolley
Anson Cameron, The Last Pulse — Lyn Jacobs
Craig Sherborne, Tree Palace — Eric Notaro
Poetry
John Mateer, Emptiness: Asian Poems 1998–2012 — R D Wood
Criticism
Bruce Bennett, The Spying Game: An Australian Angle — Richard Carr
Social History
Fiona Probyn-Rapsey, Made to Matter: White Fathers, Stolen Generations — Brenda Machosky
Helen Garner, This House of Grief: The Story of a Murder Trial — Natalie Taylor