Antipodes Volume 30, Number 1 (June 2016)

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AN 30-1

The official publication of the American Association of Australasian Literary Studies, Antipodes is published in June and December of each year. The journal welcomes critical essays on any aspect of Australian and New Zealand literature and culture, and comparative studies are especially encouraged. Additionally, Antipodes publishes short fiction, excerpts from novels, drama, and poetry written by Australian and New Zealand authors. 

The official publication of the American Association of Australasian Literary Studies, Antipodes is published in June and December of each year. The journal welcomes critical essays on any aspect of Australian and New Zealand literature and culture, and comparative studies are especially encouraged. Additionally, Antipodes publishes short fiction, excerpts from novels, drama, and poetry written by Australian and New Zealand authors. 

Table of Contents

Poetry
Carol Jenkins — Zero: Things I Do in My Spare Time

Ian C. Smith — X the unknown factor in factory

Toby Davidson — Ultraviolet Dusk Before a Storm

Jena Woodhouse — Walking towards Juktas

Liam Ferney — Hanam-chi, May 2002

L. K. Holt — Serious

Chris Wallace-Crabbe — Hours

Tru Dowling — Ice Age

Jane Frank — At the Graves

John Kinsella — The Einsiedeln GM Eclogues: 1

Anders Villani — Bush Strangers

Michael Farrell — AC/DC as First Emu Prime Minister

Fiction/Creative Nonfiction
Soren Tae Smith — Quantifying Shakespeare

John Kinsella — Selling Desk Sets in the City

Geoff Goodfellow — What Harry Taught Me

Enzo Condello — All This Struggle for Her?

Essays
Nicholas Dunlop — Suburban Space and Multicultural Identities in Christos Tsiolkas's The Slap

Timothy Kazuo Steains — The Politics of Possession in Paddy O'Reilly's The Factory

H. N. Prakrithi — Multicultural Identity and Matters of gender in Melina Marchetta's Looking for Alibrandi

David Mason —  The Name Inside the Name: On the Poetry of Kevin Hart

Belinda Burns — Mother to Other: Feminine Becoming in Fiona McGregor's Indelible Ink

Adam Gall — Form, Experience, and Desire: Frank Moorhouse's 1970s Cycles as Experimental Writing

Ralph Crane and Danielle Wood — Three Tales for Emmie: Joan Wise's Forgotten Tasmanian Triptych

Lucy Neave — "The Distance Between Them": Sheep, Women, and Violence in Evie Wyld's All the Birds, Singing and Barbara Baynton's Bush Studies

Richard Hardack — The Silence of the Lambs: Childhood Disabilities, Gender Ambiguities, and Postcolonial Detectives in Keri Hulme's The Bone People and Peter Høeg's Smilla's Sense of Snow

Fiona Duthie — Enemies of Honor: Heroes and Prisoners of War in Richard Flanagan's The Narrow Road to the Deep North and Tom Keneally's Shame and the Captives

Greg Hughes — Very Queer Indeed: Martin Boyd's Nuns in Jeopardy

Kirril Robert Shields — Communism Usurping Fascism: Political Propaganda in Jean Devanny's Roll Back the Night and Dymphna Cusack's Heat Wave in Berlin

Departments
About the  Cover

Review  Essay — "Not Me Go to England No More": Michael Farrell's Writing Australian Unsettlement U. S. Dhuga

Contributors

Guidelines for  Contributors

Book Reviews

Criticism
Cynthia vanden Driesen and Bill Ashcroft, eds., Patrick White Centenary: The Legacy of a Prodigal Son — Carolyn Bliss

Fiction
Gail Jones, A Guide to Berlin — Katy Crane

Tony Birch, Ghost River — Eric-Alain Parker

Wendy Scarfe, Hunger Town — Victoria Avery

Félix Calvino, Alfonso — Jennifer Popa

Poetry
Adrian Caesar, Dark Cupboards New Rooms — Carolyn Stice

Simon West, The Ladder — Dan Disney

Cassandra Atherton, Exhumed — Dan Disney

Christine Townend, Walking with Elephants — Airica Parker

Nonfiction
Lydia Laube, From Burma to Myanmar: On the Road to Mandalay — Natalie Taylor

Children's Literature
Mark Riordan, The Poetry of Queensland: B. J. P. Burnsyde Anthology, Book Six — U. S. Dhuga

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