Criticism, Volume 59, Number 4, Fall 2017

Criticism provides a forum for current scholarship on literature, media, music and visual culture. A place for rigorous theoretical and critical debate as well as formal and methodological self-reflexivity and experimentation, Criticism aims to present contemporary thought at its most vital.

Criticism Volume 59, Number 4, Fall 2017

Reading Color: Looking through Language in Warhol
Carmen Merport

Tempestuous Life: Ralegh's Ocean in Ruins
Steven Swarbrick

Re-Listening to Virginia Woolf: Sound Transduction and Private Listening in Mrs. Dalloway
Leah Toth

Some Stylistic Considerations of Free Indirect Discourse in Film Adaptations of Flaubert's Madame Bovary
Colin Gardner

The Metamorphoses of Empire in the Arthurian Tradition
Kathryn Hume

Eats Well with Others: Culinary Skepticism in As You Like It and Montaigne's "Of Experience"
David B. Goldstein

Reviews

Shelia Liming on Forms: Whole, Rhythm, Hierarchy, Network by Caroline Levine

Ned Schantz on Melodrama: An Aesthetics of Impossibility by Jonathan Goldberg

Karen Weisman on Art's Undoing: In the Wake of a Radical Aestheticism by Forest Pyle

Vincent Haddad on Track Changes: A Literary History of Word Processing by Matthew G. Kirschenbaum