Criticism Special Issue: "The Wire" Edited by Jonathan Flatley and Charles Kronengold
Criticism provides a forum for current scholarship on literature, media, music, and visual culture. A place for rigorous theoretical and critical debate as well as formal and methodological self-reflexivity and experimentation, Criticism aims to present contemporary thought at its most vital.
Table of Contents
Preface
Robert Levertis Bell and Paul M. Farber
Realism and Utopia in The Wire
Fredric Jameson
“The Game Is the Game”: Tautology and Allegory in The Wire
Paul Allen Anderson
“A Man Without a Country”: The Boundaries of Legibility, Social Capital, And Cosmopolitan Masculinity
Mark Anthony Neal
The Last Rites of D’angelo Barksdale: The Life and Afterlife of Photography in The Wire
Paul M. Farber
Constrained Frequencies: The Wire and the Limits of Listening
Adrienne Brown
The Depth of The Hole: Intertextuality and Tom Waits’s “Way Down in The Hole”
James Braxton Peterson
Greek Gods in Baltimore: Greek Tragedy and The Wire
Chris Love
Walking In Someone Else’s City: The Wire and The Limits of Empathy
Hua Hsu
“Precarious Lunch”: Conviviality and Postlapsarian Nostalgia in The Wire’s Fourth Season
Robert Levertis Bell
Capitalist Realism and Serial Form: The Fifth Season of The Wire
Leigh Claire La Berge