Framework Volume 51, Number 2, Fall 2010
Framework is an international, peer reviewed journal dedicated to theoretical and historical work on the diverse and current trends in media and film scholarship. The journal’s multicultural coverage, interdisciplinary focus, and the high caliber of its writers contributes to important interconnections between regional cinemas, practioners, academics, critics, and students. Framework is committed to publishing articles from interdisciplinary and global perspectives.
Table of Contents
Editorial
Drake Stutesman
Erice's Songs: Nature as Music/Music as Nature
Linda C. Ehrlich and Celia Martínez García
Artistic Testament or Final Exorcism? Passion and Tragedy in Bergman's Saraband
Miguel Lomillos
DOSSIER: TRANSNATIONALIZING WOMEN'S FILM HISTORY
Introduction
Christine Gledhill
World Women: Still Circulating Silent Era Film Prints
Jane M. Gaines
Women's Film History Project: Issues of Transnationalism
Bryony Dixon
On Frieda Klug, Pearl White, and Other Traveling Women Film Pioneers
Monica Dall'Asta
Women, Empire, and British Cinema History
Emma Sandon
Tackling Universal Women as a Research Problem: What Historiographic Sources Do and Don't Tell Us about "Gender" in the Silent Motion Picture Studio
Mark Garrett Cooper
A Historical Overview of NFTVA/BFI Collection Development Policies with Regard to Gender and Nation Questions
Elaine Burrows
Women Filmmakers and Postfeminism in the Age of Multimedia Reproduction: A Virtual Archive for Women's Cinema
Rosanna Maule
Women's Film History: Columbia University and the Museum of Modern Art, March 2010
"Exit Flapper, Enter Woman," or Lois Weber in Jazz Age Hollywood
Shelley Stamp
A New Eroticism or Merely a New Woman? Cecil B. DeMille's Adaptation of Alice Duer Miller's Manslaughter
Anne Morey
Toward the Development of a Modern "Impressionist" Cinema: Germaine Dulac's La Belle Dame sans merci (1921) and the Deconstruction of the Femme Fatale Archetype
Tami Williams
Screen Theory Goes to Australia
Constantine Verevis
Additional Information | 6x9, 250 pages, published November 15, 2010 |
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