Framework Volume 53, Number 2, Fall 2012

Framework is an international, peer reviewed journal dedicated to theoretical and historical work on the diverse and current trends in media and film scholarship. The journal’s multicultural coverage, interdisciplinary focus, and the high caliber of its writers contributes to important interconnections between regional cinemas, practioners, academics, critics, and students. Framework is committed to publishing articles from interdisciplinary and global perspectives.

Table of Contents

Editorial
Drake Stutesman

Georges Méliès: Anti-Boulangist Caricature and the Incohérent Movement
Matthew Solomon 

DOSSIER: EXPERIMENTAL FILM AND THE EXPERIMENTAL WORLD

Markopoulos and the Temenos
P. Adams Sitney

Small Books about God: The American Artistry of Jonathan Edwards and Robert Beavers
Rebekah Rutkoff

A Cinematic Alchemy: Lawrence Jordan and the Palimpsest of Cinema
Richard Deming

Sorting Facts; or, Nineteen Ways of Looking at Marker
Susan Howe

Without Words, What Are Facts?: Looking at Susan Howe Looking at Marker
Drake Stutesman

The Experimental Film Remake and the Digital Archive Effect: A Movie by Jen Proctor and Man with a Movie Camera: The Global Remake
 Jaimie Baron