Jewish Film & New Media Volume 5, Number 1 (Spring 2017)
Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.
Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.
Jewish Film & New Media Volume 5 Number 1 (Spring 2017)
Articles
Got Jewish Milk? Screening Epstein and Van Sant for Intersectional Film History
Helene Meyers
"It Happened Before and it Will Happen Again": Online User Comments as a Noncommemorative Site of Holocaust Remembrance
Aya Yadlin-Segal
Talking Cures? Jews and Sex Therapy in Nymphomaniac and A Dangerous Method
Carol Siegel
The Importance of Jewish Ritual in the Secular, Postmodern World of Transparent
Roberta Rosenberg
Reviews
On Capua's Anatole Litvak: The Life and Films
Andrew Spicer
On Pomerance and Palmer's George Cukor: Hollywood Master
Elyce Rae Helford
On Pozner and Laurent's Kinojudaica
Catherine Portuges
On Case's Calling Dr. Strangelove: The Anatomy and Influence of the Kubrick Masterpiece
Kirsten Fermaglich
On Lassner's Espionage and Exile: Fascism and Anti-Fascism in British Spy Fiction and Film
Toby Manning
On Pick-Hemo's Wounded Homeland: The Changing Representation of Trauma in Israeli Cinema
Eran Kaplan