Jewish Film & New Media Volume 8, Number 2 (Fall 2020)

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JF 8-2

Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.

Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.

Jewish Film & New Media Volume 8 Number 2 (Fall 2020)

Articles
eva.stories: Disrespect or a Successful Change in Holocaust Memory?
Liat Steir-Livny

Funny Professors, Serious Lessons: An Analysis of the Image of Jews as Academics in Film
F.K. Schoeman and Christian K. Anderson

Multimodality in M. Kovner’s Ezekiel’s World
Ilana Elkad-Lehman

Reports
Understanding @eva.stories: Holocaust Memory in the Instagram Era
Noam Tirosh

Ruth Beckermann: Documentarian of the Present
Interview by Débora G. Kantor

Reviews
On Ceplair and Trumbo’s Dalton Trumbo and Doherty’s Show Trial
Shaun Cullen

On Lee’s Nazism and Neo-Nazism in Film and Media
Paul R. Bartrop

On Noack’s Veit Harlan
Paul R. Bartrop

On Steir-Livny’s Remaking Holocaust Memory
Yael Munk

On Toffell’s Jews, Cinema and Public Life in Interwar Britain
Jingan Young

On Slucki, Finder, and Patt’s Laughter After: Humor and the Holocaust
Elyce Rae Helford

On Helford’s What Price Hollywood
Vincent Brook

On Aarons’s Holocaust Graphic Narratives
Phyllis Lassner

On Crim’s Planet Auschwitz
Vincent Brook

On Gorbach’s The Notorious Ben Hecht
Jonathan L. Friedmann

On Cazenave’s An Archive of the Catastrophe and McGlothlin, Prager, and Zisselsberger’s The Construction of Testimony
Michael Berkowitz

On Waters’s Miriam and Youssef
Efrat Urbach and Netta Schramm

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