Jewish Film & New Media Volume 4, Number 1 (Spring 2016)

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JF 4-1

Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.

Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.

Jewish Film & New Media Volume 4 Number 1 (Spring 2016)

Special Issue: Genres in Jewish and Israeil Cinema
Guest Editors Yaron Peleg and Yvonne Kozlovsky-Golan

Genres in Jewish and Israeli Cinema
Yaron Peleg and Yvonne Kozlovsky-Golan

Table of Contents

Articles
A Body in Every Cellar: The “New Violence” Movement in Israeli Cinema
Neta Alexander

Arnon Goldfinger’s The Flat: Holocaust Memory, Film Noir,and the Pain of Others
Yael Munk

The “New Psyche”: A Model of Different Femininity in Film—Viviane Amsalem, Heroine of the Trilogy by Ronit and Shlomi Elkabetz
Macabit Abramson

Frum with Benefits: Israeli Television, Globalization, and Srugim’s American Appeal
Shayna Weiss

Adapting Masculinities: Israeli and American Genres Redefining Mizrahi Masculinity in the TV Series Haborer
Ronen Gil

DIY: How to (Not So) Safely Dismantle the Bomb of On-Screen Jewish-Israeli Identity—The Synergies with Art and Television in the Representation of Jewish-Israeli Identity and What Can be Learned from Them
Lee Weinberg

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