Jewish Film & New Media Volume 4, Number 2 (Fall 2016)
Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.
Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.
Jewish Film & New Media Volume 4 Number 2 (Fall 2016)
Table of Contents
Articles
A British-Jewish Film Genre? Consider Gasbags (1941)
Michael Berkowitz
Resisting Genealogy: Diasporic Grief and Heterosexual Melancholia in the Israeli Films Three Mothers and Late Marriage
Raz Yosef
Report
Ritual Reconstructed Project, 2014–2015
Searle Kochberg
Reviews
On Sutak’s Cinema Judaica: The War Years, 1939–1949
Stephen J. Whitfield
On Lumby’s samuel-613
Gil Toffell
On Kanter’s Lunch: Old Jews Slurping Soup and the Fate of Jewish Humor
Jarrod Tanny
On Eforgan’s Leslie Howard: The Lost Actor
Mia Spiro
On Niv’s Look Back into the Future: The Israeli Cinema and the 1982 Lebanon War—Israeli Cinema Faces the Specter of the Lebanon War Blindfolded
Slava Greenberg