Jewish Film & New Media Volume 6, Number 2 (Fall 2018), Israeli Cinema and Politics
Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.
Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.
Jewish Film & New Media Volume 6 Number 2 (Fall 2018)
Special Issue: Israeli Cinema and Politics
Introduction to the Special Issue
Israeli Cinema and Politic
Yaron Peleg and Eran Kaplan
Articles
From Binding to Crucifixion: The Political Role of Christian Motifs in Israeli Cinema
Yael Ben-Zvi Morad
Personal and National History in the TV Drama Series Pillars of Smoke and The Exchange Principle
Dana Masad
Law and Sedition in Israeli Films: From the Assassination of Itzhak Rabin to the Hilltop Movement
Marcella Simoni
Between Two Hills: From Hill 24 to Beaufort and the Question of the Political in Israeli Cinema
Eran Kaplan
Class Struggle in the Era of Identity Politics: The Revolutionary Modernism of Doron Tzabari
Yaron Peleg